The present study focuses on theatre programmes, specially Estudio 1, and the study of the work procedure and routines of the television producers. This initial aim serves as a starting point for a further discussion about the circumstances sorrounding the process of mise-enscène of theatre performances on the Spanish Television for the period 1965-75, and we focus on Claudio Guerin. We are interested in the mise-en-scène, more particularly to those closely to theatre, Estudio 1, for the period 1965-75. In spite of making use of the same type of technological resources and mechanisms and having followed the same steps and criteria, the results are varied; some of them turn out pretty similar, meanwhile some others are completely different. To sum up, it is precisely there, in the producer’s responsibility and relevance, this “bridge” and connection between the shooting action in a television set and the final broadcast image, where the real interest of this article dwells.
Keywords:
Televisión Española (TVE), Programas dramáticos, Puesta en escena, Estudio 1, Director, Realizador
Bernad, S. (2017). The audiovisual dimension of the mise-en-scène on the program Estudio 1 of TVE (1965-1975): the case of Claudio Guerin. Comunicación Y Medios, (35), 125–138. https://doi.org/10.5354/0719-1529.2017.45115
